Okay (laughs). Like it's always, it's always within reach, its right here. And I would, I would want to be understood on those terms. Journals fulfilled by DUP Journal Services, Permissions Information for Journal Authors, Association for Middle East Women's Studies, Labor and Working-Class History Association, African American Studies and Black Diaspora. Alexis Pauline Gumbs is a queer Caribbean poet, independent scholar, and activist. And I think that poetry is part of what allows me to slow those down. And I feel like I'm gonna have to adopt some of these things in my own writing process. Continue reading. I'll say Dionne Brand, because I'm saying Dionne Brand, and I mean, Dionne Brand, for sure, but I'm also thinking about actually that generation of Caribbean women writers, because I understand my work in the context of, of their work. It's not about, it's not about me. Yes, yes. But part of that is also what feels like, I guess with obviousness, the very white landscape of Greek mythology. For example, the university taught them through its selective genocide. . So I would say, if one day someone's like, I'm going to write a biography of Alexis Pauline Gumbs, I would hope that they would listen to Fannie Lou Hamer [The] Songs My Mother Taught Me. That would make my whole day. But a lot of people who arent affiliated with the university in any way are reading my books, and its very important for me to share the work in a way that makes that possible and common. Just for that sound interpretation. It really was this ocean of grief. But if we looked at it from the perspective of after all is said and done, what does it mean that I even have a machine that I can use to pretendto be someone, somewhere? So you kind of can't see where one thing ends and begins. Looking at Blue Asteroid. On the air? Ashia Ajani, Sierra, "People throw around terms like Genius and Magic frequently but if you open this book, flip to any passage, and dont feel moved from your soul then I will assume that you dont have one. And so that's, that's part of what I'm dissolving, and unlearning. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics. The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's, Alexis Pauline Gumbs is a poet, independent scholar, and activist. var hash = window.location.hash.substring(1); And so I would want people in the future. Durham, NC 27701 USA, Alexis Pauline Gumbs is a poet, independent scholar, and activist. Kathryn Nuernberger, West Branch, "In this luminous, heartbreaking work, Alexis Pauline Gumbs highlights the art of Black feminist theorizing, showing us how Black feminism lives in the hair and legs and wombs and choices of individual Black women." Ready? by Lee Ann Norman, bell hooks It may be through me, but it's not about me. That actually there had to be an interspecies scale, a beyond-human scale because that's how she thought about herself. They are not chronological, though they have different timescapes. Creative Forces: NEA Military Healing Arts Network, Independent Film & Media Arts Field-Building Initiative, Historically Black Colleges and Universities (HBCUs), National Endowment for the Arts on COVID-19. I think creating any form, whether that's like poems, or essays, or visual stuff, I think always starts with music. That answer is bringing up a lot of things for me in thinking about your work, specifically, in thinking about Undrowned. You can't write about, you know, my fears, unless you face your fears. But I don't mean in a shady way. Alexis Pauline Gumbs is a poet, independent scholar, and activist. Shouldnt it be a given? Top 5 easily. All rights reserved. She is the author of Spill: Scenes of Black Feminist Fugitivity, also published by Duke University Press;coeditor of Revolutionary Mothering: Love on the Front Lines;and the founder and director of Eternal Summer of the Black Feminist Mind, an educational program based in Durham, North Carolina. you show your shoulders what to do with sky. You have earned {{app.voicePoint}} points. Dub wakes us concussively. I really mess with that. Please, we cant take it. Tiffany Lethabo King, Antipode, "[G]round-breaking. My little heart is tender. A Survival Guide for Humans Learned From Marine Mammals Alexis Pauline Gumbs tells Laura Flanders why she looks to the ocean world for lessons on how to thrive. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story Evidence, M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. So yeah, I love, I love hearing that. And the constant turns in that poem, I was like, oh, let me, like best said, let me buckle up. And we are your co-hosts of VS, the podcast where poets confront the ideas that move them. And I was like, Oh, okay. All these things. 2019 Duke University Press. Or about myself because of Audre Lorde? By becoming a patron, you'll instantly unlock access to 32 exclusive posts. If you're gonna bother to read it, you know, it's and I think that the way that I think about it, I know that it's personal, you know, and I go to personal places in my writing, for sure. Alexis Pauline Gumbs is an American writer, independent scholar, poet, activist and educator based in Durham, North Carolina. Circumstances are being narrated in ways that consistently disempower the people who are directly impacted. at the beginning of the book, Gumbs ends her note with this quote: "When you think it's time to come up for air, go deeper. But its true. So I really, really appreciate that answer. There are so many opportunities in a given day, in a digitally mediated world, to appear to be something or somewhere we are not. I'm thinking about that text and this idea that you just shared about Audre Lorde of understanding the studying, the in-depth studying of her emotions, as not distracting from the work. She is the author of Spill and M Archive, both also published by Duke University Press. And it's falling apart, because it's like, that is the same copy that I had. 5,894 views. show more. Today, we have the absolute honor of interviewing Alexis Pauline Gumbs. This week, I had the pleasure of interviewing Alexis Pauline Gumbs on her new book Spill: Scenes of Black Feminist Fugitivity (Duke University Press, 2016). I mean, really, that's my assignment, because that's what I've received. Breathing seems individual but is also so profoundly collective. It's yes, she definitely had a grand idea of herself, which I'm here for, and I feel like was absolutely appropriate. As tends to be the case with the books that Gumbs summons, the timing of Dub is prescient. . To best understand your work. April 14 at 6:23 PM. That said, there's so much in it to come back to again and again at different stages in my life and at different times. The, that's part of part of the irony, at least for me, it's like the best protective measures. Stealing the meaning back, as you say, is the opportunity to say that who and where and how we are is meaningful, even if it is on a scale that is beyond our like buttons and our lifetimes. So grateful for this text. Log in or Some of that I didnt know, best. Um, I am going to thank Sophia Snowe. Alexis was honored with a Whiting Award, a 2022 National Endowment of the Arts Creative Writing Fellowship, and a National Humanities Center Fellowship. The scenes read as half song, half sermon (though intimately pitched), and taken as a whole create a richly textured chorus through which an exhilarating and deeply intelligent life force surges." Alexis Pauline Gumbs is a poet, independent scholar, and activist. And I don't want to have shields up that separate me from the community that I love, or the people who I want to be open-hearted with. The book recurrently tutors readers on how to engage in the finding ceremony of Dubs subtitle. Susan Gingell, Small Axe SX Salon, Both a gathering and a recovery, this last pivotal volume in a trilogy commits to a new poetics. And it's like graceful, and how can they even do it? I don't see it happening that I'll be like, okay, well, I did that. We were not here at the same time, at least physically. The skillful blend of academic theory and personal introspection results in a luxuriously blended narrative that proves essential to honoring the legacies of queer black women." Original Combahee River Collective member Chirlane McCray has been organizing for more equality, healthcare, and services as the wife of Bill de Blasio, current mayor of New York City. [Recites poem]. Breath After. Would I have read Jacquis book if I hadnt been in a PhD program? I think the thing that I admire most about elders is getting to the space where you say exactly what you're thinking. And she wrote this essay for Seventeen Magazine when she was a teenager, like trying to find other science fiction attics, and just this whole thing about like the I was like, I never even knew that Audre Lorde was into sci-fi. Hearing the way that you reference Audre Lorde I think is so beautiful to me. And she's really invested in her study of her own emotions, as something that was crucial. LectureNotes. I was like, this is, you know, it was something that, it was something that held me in such an important way. }); But that's my, that's my hope. A beautiful exploration of ancestry and ceremony, I am inspired in my own writing. And I feel like the entrance you gave me was that I could see myself, and I could see myself in that place. Just like to fully receive it, and then to do this, recite her poem Call, which is one of my favorite poems ever. M Archives: After the End of the World illuminates the dark feminine divine, pointing to the fact that she has always been here. This site uses cookies. 10 out of 10 and like that idea that if you've spent too long somewhere that you're either wasting time or that you should have been finished, you should have had it all figured out. I decided I wanted to write every day with phrases from these three writersHortense Spillers, M. Jacqui Alexander and Sylvia Wynter. Is this your intent? I don't have to be visible to be viable on my path. Uploaded by And I'm so like, wanting to embrace the universe. It's like, all the transparent papers, like stacked on top of each other. She is the author of Undrowned: Black Feminist Lessons from Marine Mammals (AK Press, 2020), coeditor of Revolutionary Mothering: Love on the Front Lines (PM Press, 2016), and author of a triptych of experimental works published by Duke University Press: Spill: Scenes of Black Feminist Fugitivity (2016), M . I love the nuanced questions. You can contribute this audio pronunciation of Alexis Pauline Gumbs to HowToPronounce dictionary. // Fiction 9 Binyavanga Wainaina, Introduced by Achal Prabhala DNA and Our Twenty-First-Century Ancestors // Essay 28 Duana Fullwiley Two Poems 39 Kyoko Uchida The Millions // Essay 44 Deborah Taffa Two Poems 57 Diamond Forde Meditations on Lines // poetry 59 And it comes out in unintentional ways because it's begging for ritual, for a way to channel itself. And so I'm wondering, you know, what continues to draw you to that work? adrienne maree brown is author of Emergent Strategy and Pleasure Activism and co-editor of Octavis's Brood. But in any, any, any form of creativity. And I'm overwhelmed, right? And in her series of poems, Journey Stone, she was like finding a way like how can I release those? [The act of] breathing itself is so poetically rich. And I was like, yeah, this entire story is a story where the rapist always win. 5 66% (813) 4 22% (275) 3 9% (108) 2 2% (22) 1 0% (5) Book ratings by Goodreads. Should I be saying why? To best understand who you are. Like many writers, I feel centered when I write, or it might be better to say, when I dont write, when I cant write for whatever reason, I feel, frankly, de-stabilized. As is gratitude in the face of environmental decline. In M Archive (Duke University Press), the second book in an experimental triptych, Gumbs looks back on our current cataclysm from the . Beyonc is giving me multiple mediums. Nothing foundtry broadening your search. Academia is one access point for what I call the Black Feminist Pragmatic Intergenerational Sphereeven though academia has also killed Black feminists and refused to acknowledge their labor over and over again. You better beee. Like I gotta tighten up. And while I'm focused on that groove and pace, then I'm like, Oh, these are things that I'm thinking this is what's coming up for me. Its an embattled project, for the same reason Black feminism is a project, a political legacy and a poetic imperative. And she was a color theorist. in sharing wisdom from Sylvia Wynter and from her own ancestors, Gumbs leads us on a meditative journey through grief, loss, pain, beauty, and always love. What was it like in the 1990s? [1][2] Gumbs advocates for other POC queer women and is commonly known as a Black Feminist love evangelist.[3] In her experimental triptych (Spill, M Archive, Dub), Gumbs explores the implications of humanitys struggle with ecological disruption and Black feminist theory and refusals. And I don't know, but I think that the layers of it come from the dailiness of it, because my process is like when I when I'm like, I have to be with you, I have to be with you every day, like I'm with these marine mammals every day, once I know that I need to be with them, why would I have a day that I'm not? I believe that our movements, which have invested and sacrificed a lot to be included in academic institutions, can evolve past the colonization, classification and co-optation that allow those institutions to persist. I take time to think about the poems (many of them are paragraphs with no capital letters; many are best read out loud because of the rhythm, rhyme, and rap-like repetition of sounds), often journalling afterward. It's not like, you know, I live in a world where there's never any need for me to have a shield. I mean, its after the end of the world already. And one of the reasons that its terrifying. ." And it, it literally made space for me. And it's, it's an offering, it's proof that they are loved. 5 Stars aren't enough for this sacred text but it's all we got so . Alexis Pauline Gumbs is a poet, independent scholar, and activist. So that's, that's what I have to give. ." } else { . I was just thinking about poems about mythology aren't typically the ones that draw me in, because I think I'm already expecting this very familiar story. if (hash === 'blog' && showBlogFormLink) { I know the groove of it. Trace rituals and story sharing" ("Black Feminist the frame and dimensions of the Calculus Meets Nothing to Prove" 310). Dub is a book of our now. And one of the major essays that I draw from in that book is about an uprising of students, faculty, and staff at the New School, against the ideological self-definition of the New Schoolparticularly the way the New School defined Black feminist work, and Jacquis work specifically as marginal, to the mission of the institution. She is coeditor of. 4.53 out of 5 stars-1,223 ratings. This is exactly what, because this is like, where I have gone in my hour of need. I really love the way you situate and imagine research as this like wandering and being with and then the way ritual enters into it. See now you're making me think about my protective measures that I'm not aware of, or what protective measures we as people have that we're not aware of. Offering a sweeping, thoughtful, and exquisite meditation on Sylvia Wynter's work, Alexis Pauline Gumbs's poetic engagement represents a new and unique way of encountering and paying homage to Black feminist theory and Black feminist theorists. Like, what will, is there any end to this vastness of what grief and in particular in terms of my dad passing away; what does that mean?
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